{"id":1451,"date":"2024-02-10T20:06:02","date_gmt":"2024-02-10T20:06:02","guid":{"rendered":"https:\/\/migjeni.se\/?p=1451"},"modified":"2024-02-10T20:06:02","modified_gmt":"2024-02-10T20:06:02","slug":"zamira-hysenaj-agalliurefleksion-mbi-poemen-laberia-magjikete-poeti-dok-neki-dredha","status":"publish","type":"post","link":"https:\/\/migjeni.se\/index.php\/2024\/02\/10\/zamira-hysenaj-agalliurefleksion-mbi-poemen-laberia-magjikete-poeti-dok-neki-dredha\/","title":{"rendered":"Zamira Hysenaj Agalliu:Refleksion mbi Poem\u00ebn \u2018\u2019Laberia Magjike\u2019\u2019t\u00eb poeti Dok Neki Dredha"},"content":{"rendered":"<p><strong>Refleksion mbi Poem\u00ebn \u2018\u2019Laberia Magjike\u2019\u2019t\u00eb poeti Dok Neki Dredha<\/strong><\/p>\n<p>Teknika e palimpsestit, pra e nd\u00ebrtimit t\u00eb nj\u00eb teksti t\u00eb ri mbi shtres\u00ebn e nj\u00eb teksti t\u00eb<br \/>\nvjet\u00ebr, \u00ebsht\u00eb e shpesht\u00eb n\u00eb let\u00ebrsin\u00eb moderne dhe sidomos n\u00eb at\u00eb postmoderne.<br \/>\nEdhe pse fjala \u00ebsht\u00eb p\u00ebr nj\u00eb det t\u00eb t\u00ebr\u00eb literature, n\u00eb t\u00eb cilin nuk \u00ebsht\u00eb leht\u00eb t\u00eb<br \/>\nnotosh,poeti Neki Dredha ka arritur t asimiloj\u00eb n\u00eb mas\u00eb t\u00eb madhe literatur\u00ebn e<br \/>\nkonsultuar \u2013 nj\u00eb mori librash e autor\u00ebsh \u2013 dhe t\u00eb shquaj\u00eb tek ata at\u00eb q\u00eb \u00ebsht\u00eb<br \/>\nq\u00ebn\u00ebsore dhe q\u00eb i sh\u00ebrben synimit t\u00eb tij par\u00ebsor, studimit kritik t\u00eb histografis shqipe<br \/>\nme prirje postmoderne dhe p\u00ebr ta sjell tek ne sot n\u00eb gjuh\u00ebn Madrigale.<br \/>\nKy \u00ebsht\u00eb dimensioni dhe vlera kryesore e k\u00ebsaj poeme, por e sjell n\u00eb form\u00ebn m\u00eb<br \/>\nunikale dhe krejt t\u00eb re.<br \/>\nDialogu i v\u00ebrtet\u00eb i k\u00ebtij libri me lexuesin fillon at\u00ebher\u00eb kur autori kalon nga komenti i<br \/>\nteksteve historike, te interpretimi poetik. Kjo qasje t\u00eb shpie natyrisht te tradita dhe<br \/>\noraliteti si nyje t\u00eb forta n\u00eb rrjet\u00ebn nd\u00ebrtekstuale t\u00eb poezis\u00eb shqipe.<br \/>\nLet\u00ebrsia e shkruar e ka pasur dhe vazhdon ta ket\u00eb n\u00ebnshtrat let\u00ebrsin\u00eb gojore, aq m\u00eb<br \/>\nshum\u00eb n\u00eb let\u00ebrsin\u00eb shqipe, ku poet\u00ebt sikurse edhe te popujt e tjer\u00eb t\u00eb Ballkanit,<br \/>\ngjithmon\u00eb kan\u00eb pasur \u201cnj\u00eb nd\u00ebrlikim organik me poezin\u00eb popullore\u201d (\u00c7abej).<br \/>\nPranin\u00eb e oralitetit n\u00eb poezin\u00eb e sotme autori e sheh te tradita gojore, te element\u00ebt<br \/>\nHistorik ,etnografik, etnopsikologjik dhe mitologjik.<br \/>\nN\u00eb paraqitjen e veprave me poetik\u00eb nd\u00ebrtekstuale autori ndjek kryesisht kriterin<br \/>\nkronologjik, por pavar\u00ebsisht nga p\u00ebrmbajtja q\u00eb ofrojn\u00eb tekstet nuk i p\u00ebrmbahet<br \/>\ngjithmon\u00eb k\u00ebtij kriteri, duke e z\u00ebvend\u00ebsuar at\u00eb me kriterin tipologjik.<br \/>\nHistori- Gjeografi \u2013 Enciklopedi dhe Poezi bashk\u00eb, m\u00eb sakt\u00ebsisht madrigale t\u00eb<br \/>\nshkruara n\u00eb nj\u00eb Poem\u00eb.<br \/>\nAutori hulumton paratekstualitetin, oralitetin, loj\u00ebn arkitekstuale, lidhjet me<br \/>\nmitologjin\u00eb popullore, rikontekstualizmin e shprehjeve popullore dhe p\u00ebrb\u00ebr\u00ebs t\u00eb<br \/>\ntjer\u00eb\u2026<br \/>\nStudimet mbi palimpsestin fillojn\u00eb dhe mbarojn\u00eb pothuajse me p\u00ebruruesin e k\u00ebtij<br \/>\ntermi n\u00eb let\u00ebrsin\u00eb shqipe dhe kultivuesin e k\u00ebsaj forme n\u00eb poezi,si Martin Camajn.<br \/>\nPor, shtrohet pyetja: a ka edhe autor\u00eb t\u00eb tjer\u00eb pos Camajt, q\u00eb kan\u00eb mbetur jasht\u00eb<br \/>\nkorniz\u00ebs ?<br \/>\nSigurisht q\u00eb po; dhe jo nj\u00eb a dy, por shum\u00eb m\u00eb tep\u00ebr autor pa p\u00ebrmendur emra t\u00eb<br \/>\np\u00ebrve\u00e7\u00ebm.<\/p>\n<p>Le t\u00eb na lejohet t\u00eb shprehim bindjen se jo vet\u00ebm n\u00eb periudh\u00ebn e lavdishme t\u00eb<br \/>\nhistories son\u00eb por edhe m\u00eb von\u00eb, kur numri i krijuesve q\u00eb e kultivojn\u00eb k\u00ebt\u00eb form\u00eb<br \/>\npoetike nd\u00ebr ne, p\u00ebr shkak t\u00eb hapjes s\u00eb let\u00ebrsis\u00eb shqipe ndaj rrjedhave t\u00eb let\u00ebrsis\u00eb<br \/>\nmoderne, \u00ebsht\u00eb shtuar duksh\u00ebm\u2026<br \/>\nM\u00eb i r\u00ebnd\u00ebsish\u00ebm se numri i poet\u00ebve dhe emrat e tyre, \u00ebsht\u00eb, nd\u00ebrkaq, koncepti dhe<br \/>\nstrategjia q\u00eb ka ndjekur autori Neki Dredha.<br \/>\nSikurse te jete nje sdudjues n\u00eb fush\u00ebn e historise dhe let\u00ebrsis\u00eb poeti Neki Dredha i<br \/>\nqaset let\u00ebrsis\u00eb shqipe si t\u00ebr\u00ebsi, dometh\u00ebn\u00eb n\u00eb m\u00ebnyr\u00eb integrale, pa ndarje krahinore<br \/>\ne regjionale, pavar\u00ebsisht nga v\u00ebshtir\u00ebsit\u00eb q\u00eb mund t\u00eb shkaktoj\u00eb kjo qasje; nd\u00ebrsa n\u00eb<br \/>\nplanin strategjik zbaton parimin e hulumtimit t\u00eb interpretimit t\u00eb tij individual.<br \/>\nAutori ne kete poeme kronologjike dhe poetike ka d\u00ebshmuar se ka aft\u00ebsi t\u00eb<br \/>\ntheksuara analitike Sepse shkrimtar\u00ebt jan\u00eb \u201cruajt\u00ebs t\u00eb kujtes\u00ebs\u201d, kurse palimpsesti<br \/>\nd\u00ebshmi e kujtes\u00ebs s\u00eb tekstit letrar, q\u00eb sipas nj\u00eb francezje tjet\u00ebr, t\u00eb natyralizuar, Julia<br \/>\nKristev\u00ebs, \u00ebsht\u00eb \u201cmozaik citatesh\u201d dhe \u201cabsorbim tekstesh\u201d.<br \/>\nShkrimet e Doktorit Poet Neki Dredha n\u00eb p\u00ebrgjith\u00ebsi (ato q\u00eb ka botuar deri tani) i<br \/>\nkarakterizon aft\u00ebsia e gjykimit kritik dhe e analiz\u00ebs shkencore, si n\u00eb planin teorik,<br \/>\nashtu edhe n\u00eb at\u00eb kritik..Stili i tij \u00ebsht\u00eb emocional q\u00eb n\u00eb vargun e par\u00eb.<br \/>\n\u2018\u2019Tek flisja I mallengjyer,<br \/>\nme nj\u00eb lab nga fshati im,<br \/>\nnj\u00eb I huah I ngaz\u00ebllyer .<br \/>\ndic k\u00ebrkonte pa ngurim.<br \/>\nGjuha e sakt\u00eb ne zhargonin popullor, kurse ligj\u00ebrimi me nje tipar ka marr\u00eb p\u00ebrmasa<br \/>\nt\u00eb reja gjuhesore.<br \/>\nLibri I autorit Neki Dredha \u2018\u2019Laberia Magjike\u2019\u2019 eshte monografik me koncept t\u00eb qart\u00eb.<br \/>\nStudimet e k\u00ebtij lloji jan\u00eb t\u00eb reja ose relativisht t\u00eb reja n\u00eb kritik\u00ebn ton\u00eb, por atyre u<br \/>\ntakon perspektiva.<br \/>\nVler\u00eb tjet\u00ebr e punimit \u00ebsht\u00eb ilustrimi i tezave me shembujt m\u00eb p\u00ebrfaq\u00ebsues t\u00eb k\u00ebtij<br \/>\ntipi t\u00eb shkrimit, t\u00eb cil\u00ebt autori si njoh\u00ebs I mir\u00eb I poezis\u00eb shqipe, arrin t\u2019i zgjedh\u00eb me<br \/>\nkujdes fjalet.<\/p>\n<p>Fjala rrezaton q\u00ebndres dhe krenari , sepse fjala \u00ebsht\u00eb vet njeriu , ai njeriu ec\u00ebn krah<br \/>\nsaj, legjitimohet p\u00ebrmes saj, can n\u00eb saj t\u00eb fjal\u00ebs. Mendimi I zgjuar I poetit del I<br \/>\nsublimuar p\u00ebrmes nj\u00eb ekspresioni t\u00eb ngjeshur dhe te organizuar deri n\u00eb p\u00ebrsosm\u00ebri.<br \/>\nShkalla e ekspresionit sublim n\u00eb k\u00ebt\u00eb lloj t\u00eb lirik\u00ebs ku intonohen Jehona ligj\u00ebrimi dhe<br \/>\nNostalgjie , jehona q\u00eb d\u00ebshmon lidhshmerin\u00eb organike n\u00eb mes bot\u00ebs s\u00eb poetit dhe<br \/>\npatriotizmit, ku si lajmotiv i gjall\u00eb del n\u00eb pah ndjenja e Krenaris\u00eb p\u00ebr Origjin\u00ebn.<br \/>\nN\u00eb poem\u00ebn \u2018\u2019Lab\u00ebria Magjike\u2019\u2019 lexuesi udh\u00ebton mbi nj\u00eb kal t\u00eb bardh\u00eb imagjinar<br \/>\nbashk\u00eb me turistin nga Cekia dhe shmallet me historin\u00eb e lasht\u00eb dhe t\u00eb lavdishme t\u00eb<br \/>\nvendit ton\u00eb, duke u njohur keshtu me Historin\u00eb, Legjendat, Heronjt\u00eb, D\u00ebshmoret e<br \/>\nAtdheut, traditat dhe zakonet permes nj\u00eb poeme q\u00eb rrjedh vargun e saj si uji I<br \/>\nkristalt\u00eb q\u00eb nis rrjedh\u00ebn nga mallet m\u00eb t\u00eb larta t\u00eb lab\u00ebris\u00eb.<br \/>\nKy udh\u00ebtim turistik i b\u00ebn\u00eb mir\u00eb edhe Labit vet, duke njohur k\u00ebshtu vetveten t\u00eb dij\u00eb t\u2019u<br \/>\ntregoj\u00eb Historin\u00eb dhe Kultur\u00ebn turisteve q\u00eb po pushtojn\u00eb vendin ton\u00eb s\u00eb fundmi.<br \/>\nPoeti Dok Neki Dredha n\u00eb k\u00ebt\u00eb Poem\u00eb shfaq qart\u00eb nj\u00eb Dashuri dhe bashkim, ai flet<br \/>\nme t\u00eb nj\u00ebjtin mallengjim p\u00ebr t\u00eb gjitha zonat, pa i vecuar ato nga nj\u00ebra-tjetra dhe pa<br \/>\nmburrje e l\u00ebvdata p\u00ebr ndonj\u00eb fshat n\u00eb vecanti sic kemi lexuar r\u00ebndom\u00eb.<br \/>\nLibri \u00ebsht\u00eb i pajisur me referenca t\u00eb cilat tregojn\u00eb m\u00eb qart\u00eb edhe nj\u00ebher\u00eb p\u00ebr thellimin<br \/>\ne njohurive p\u00ebrkat\u00ebse, emrat e p\u00ebrvecem dhe personazhe, b\u00ebmat e tyre dhe zhvillim<br \/>\nt\u00eb ngjarjeve.<br \/>\nN\u00eb k\u00ebt\u00eb Po\u00ebm\u00eb cdo krahin\u00eb \u00ebsht\u00eb e lidhur dore p\u00ebr dore n\u00eb nj\u00eb valle popullore ku<br \/>\ncdo fshat e kryeson k\u00ebt\u00eb valle n\u00eb cdo faq\u00eb t\u00eb librit, duke shpalosur k\u00ebshtu fustan\u00ebll\u00ebn<br \/>\npal\u00eb \u2013pal\u00eb sic e thot\u00eb vet poeti.<br \/>\nFustanellat pal\u00eb-pal\u00eb<br \/>\nHapur mbyllur si freksore<br \/>\nSi gjiri Vlor\u00ebs me val\u00eb<br \/>\nKur ngre val\u00ebt bardh\u00ebllore.<br \/>\nSic shihet n\u00eb fjal\u00ebn time p\u00ebr k\u00ebt\u00eb lib\u00ebr un\u00eb nuk kam prekur asnj\u00eb personash apo<br \/>\nkrahin\u00eb t\u00eb lab\u00ebris\u00eb pasi m\u00eb duket se I nxjerr nga kjo valle kaq e bukur popullore<br \/>\nshqiptare, por po ia le lexuesit t\u00eb zbuloj\u00eb nj\u00eb galeri sa t\u00eb lasht\u00eb po aq edhe t\u00eb bukur.<br \/>\nI Uroj Poetit Dok Neki Dredha sh\u00ebndet dhe jet\u00eb t\u00eb gjat\u00eb n\u00eb krijimtarin\u00eb e tij\u00eb t\u00eb<br \/>\npashter\u00ebshme e cila na thellon krenarin\u00eb p\u00ebr origjin\u00ebn.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Refleksion mbi Poem\u00ebn \u2018\u2019Laberia Magjike\u2019\u2019t\u00eb poeti Dok Neki Dredha Teknika e palimpsestit, pra e nd\u00ebrtimit t\u00eb nj\u00eb teksti t\u00eb ri mbi shtres\u00ebn e nj\u00eb teksti t\u00eb vjet\u00ebr, \u00ebsht\u00eb e shpesht\u00eb n\u00eb let\u00ebrsin\u00eb moderne dhe sidomos n\u00eb at\u00eb postmoderne. Edhe pse fjala \u00ebsht\u00eb p\u00ebr nj\u00eb det t\u00eb t\u00ebr\u00eb literature, n\u00eb t\u00eb cilin nuk \u00ebsht\u00eb leht\u00eb t\u00eb [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1451","post","type-post","status-publish","format-standard","hentry","category-botime-te-reja"],"_links":{"self":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/1451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/comments?post=1451"}],"version-history":[{"count":0,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/1451\/revisions"}],"wp:attachment":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media?parent=1451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/categories?post=1451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/tags?post=1451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}