Shah Jehan Ashrafl<\/p>\n
Uji mistik n\u00eb poezit\u00eb e Niloy Rafiq<\/p>\n
– nj\u00eb analiz\u00eb e p\u00ebrmbledhjes s\u00eb tij t\u00eb poezive t\u00eb quajtur “Guri i Bardh\u00eb”.<\/p>\n
N\u00eb p\u00ebrmbledhjen e poezive t\u00eb Niloy Rafiq “Guri i Bardh\u00eb”, uji q\u00ebndron si nj\u00eb simbol shpirt\u00ebror gjigant dhe enigmatik. Poezit\u00eb e tij thellohen n\u00eb past\u00ebrti, thjesht\u00ebsi dhe spiritualitet. Uji \u00ebsht\u00eb i pranish\u00ebm n\u00eb “muson”, “re”, “zam zam”, “Yamuna”, “gryk\u00ebderdhje t\u00eb uj\u00ebrave blu”. Magjepsja e poetit me ujin dhe l\u00ebvizjen \u00ebsht\u00eb kaq e gjall\u00eb n\u00eb t\u00eb gjith\u00eb shkrimet e tij. I lindur m\u00eb 6 gusht 1983, Niloy Rafiq \u00ebsht\u00eb nj\u00eb poet nga Bangladeshi. Udh\u00ebtimi i tij i t\u00eb shkruarit filloi n\u00eb shkoll\u00eb. Disa nga veprat e tij t\u00eb famshme jan\u00eb “Gjetha e Diellit”, “Nj\u00eb Puthje e Paplot\u00eb”, “Zjarri i Panjohur”, “Adinathi me Sy”, “Aroma e Zjarrit” dhe shum\u00eb libra t\u00eb tjer\u00eb q\u00eb jan\u00eb p\u00ebrkthyer n\u00eb anglisht, spanjisht, polonisht, fr\u00ebngjisht, arabisht, urduisht dhe shum\u00eb gjuh\u00eb t\u00eb tjera. Poeti thot\u00eb: \u201cAs nuk e di pse shkruaj, shoh male me fjal\u00eb q\u00eb formohen para syve t\u00eb mi pa e ditur mendja ime, i rregulloj fjal\u00ebt dhe i kompozoj poezit\u00eb sipas m\u00ebnyr\u00ebs sime.\u201d P\u00ebr t\u00eb, \u2018poet\u00ebt jan\u00eb f\u00ebmij\u00eb t\u00eb natyr\u00ebs nd\u00ebrsa ai u rrit n\u00eb prehrin madh\u00ebshtor t\u00eb natyr\u00ebs. Ai zakonisht i pranon me g\u00ebzim temat q\u00eb formohen para syve t\u00eb tij dhe p\u00ebrmes mendimeve t\u00eb tij. Filozofia sufiste p\u00ebrhapet p\u00ebrreth tij nd\u00ebrsa ai beson n\u00eb k\u00ebt\u00eb bot\u00eb dhe n\u00eb bot\u00ebn tjet\u00ebr p\u00ebr shkak t\u00eb sufizmit. N\u00ebse nuk ka sufiz\u00ebm n\u00eb poezi, ai beson se \u2018poezit\u00eb nuk do t\u00eb jen\u00eb kurr\u00eb t\u00eb p\u00ebrjetshme\u2019. Munda t\u00eb d\u00ebshmoja fuqin\u00eb e sufizmit dhe manifestimin e misticizmit n\u00eb poezi t\u00eb ndryshme q\u00eb gjenden n\u00eb \u2018Gur t\u00eb Bardh\u00eb\u2019. Poezit\u00eb e Rafiqit p\u00ebrshkruajn\u00eb nj\u00eb lidhje me di\u00e7ka m\u00eb t\u00eb madhe me p\u00ebrdorimin e ujit n\u00eb shumic\u00ebn e poezive t\u00eb tij. Uji \u00ebsht\u00eb nj\u00eb burim pastrimi n\u00eb tradit\u00ebn sufiste. Ai rinovon dhe p\u00ebrfaq\u00ebson thelbin e jet\u00ebs: \u2018aabe hayat\u2019. M\u00ebshira dhe shpresa jan\u00eb gjithashtu ide q\u00eb shoq\u00ebrohen me ujin. \u201cKrah\u00ebt e koh\u00ebs digjen n\u00eb zjarrin e dashuris\u00eb\u201d \u00ebsht\u00eb nj\u00eb poezi introspektive nga Rafiq, n\u00eb librin e tij t\u00eb poezive t\u00eb botuar s\u00eb fundmi me titull \u201cGuri i Bardh\u00eb\u201d. Poeti luan me oksimorone nd\u00ebrsa p\u00ebrdor ujin si nj\u00eb metafor\u00eb t\u00eb af\u00ebrt n\u00eb k\u00ebt\u00eb poezi p\u00ebr t\u00eb djegur \u201ckrah\u00ebt e koh\u00ebs\u201d n\u00eb \u201czjarrin e dashuris\u00eb\u201d. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, poeti d\u00ebshiron ta mbaj\u00eb koh\u00ebn n\u00eb mendjen e tij aty ku \u201cdigjen kujtime t\u00eb zbehura\u201d. Megjithat\u00eb, k\u00ebtu fillon paradoksi. Disa thon\u00eb se uji \u00ebsht\u00eb jet\u00eb. Shiu \u00ebsht\u00eb simbolik. Uji q\u00eb gjendet n\u00eb shi ka v\u00ebrtet kaq shum\u00eb kuptime, p\u00ebr shembull, ai p\u00ebrfaq\u00ebson \u201ctransformim\u201d, \u201cn\u00ebnnd\u00ebrgjegje\u201d, \u201creflektim\u201d, \u201cpastrim\u201d, \u201cl\u00ebvizje\u201d, \u201crip\u00ebrt\u00ebritje\u201d dhe \u201cintuit\u00eb\u201d. N\u00eb Tarot, \u00ebsht\u00eb nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb treguar p\u00ebr t\u00eb ardhmen p\u00ebrmes p\u00ebrdorimit t\u00eb letrave, \u00ebsht\u00eb \u201cnj\u00eb simbol i mendjes dhe mitr\u00ebs s\u00eb thell\u00eb, primordiale t\u00eb pavet\u00ebdijshme\u201d. Njohuria mbi fuqin\u00eb e \u00e7uditshme t\u00eb mendjes (fuqis\u00eb psikike) p\u00ebr t\u00eb b\u00ebr\u00eb gj\u00ebra q\u00eb jan\u00eb t\u00eb pashpjegueshme nga arsyeja paraqitet nga uji n\u00eb tradit\u00ebn e Tarotit. Uji i bekuar \u00ebsht\u00eb nj\u00eb pastrues i madh gjat\u00eb pag\u00ebzimit dhe sipas Cait Johnson, “Shpirti njer\u00ebzor e kupton ujin si Fillimin e Madh”. N\u00eb k\u00ebt\u00eb poezi, uji \u00ebsht\u00eb fillimi i t\u00eb \u00e7muarit t\u00eb koh\u00ebs s\u00eb mbushur me kujtime. P\u00ebrdorimi i ‘zemzamit’ dhe ‘Yamuna’ bashkon r\u00ebnd\u00ebsin\u00eb e ujit nga Hinduizmi dhe Islami. K\u00ebtu, poeti gjurmon rr\u00ebnj\u00ebt e tij nga India, mitra q\u00eb mban toka t\u00eb ndryshme q\u00eb ishin ndar\u00eb prej saj, p\u00ebrkat\u00ebsisht Pakistani dhe si pasoj\u00eb, atdheu i Rafiqit, Bangladeshi. Megjithat\u00eb, poeti i p\u00ebrmbahet fes\u00eb s\u00eb tij, Islamit, pasi ai i referohet ‘zemzamit’, ujit t\u00eb bekuar q\u00eb gjendet n\u00eb Mek\u00eb. Lidhja e poetit si me ‘Yamuna’ ashtu edhe me ‘zemzamin’ p\u00ebrshkruan spiritualitetin e tij dhe p\u00ebrpjekjen e tij p\u00ebr t\u00eb treguar respekt ndaj nj\u00eb terreni t\u00eb mes\u00ebm q\u00eb braktis identitetet fikse. Duke p\u00ebrmendur si ‘Yamuna’ ashtu edhe ‘zemzamin’, poeti tregon hibriditetin dhe mund\u00ebsin\u00eb p\u00ebr t\u00eb banuar n\u00eb oksimorone. K\u00ebshtu, poeti i afrohet ‘pik\u00ebllimit’, q\u00eb \u00ebsht\u00eb ‘fytyra e lul\u00ebzimit t\u00eb Cherry Hill’. K\u00ebtu, g\u00ebzimi dhe hidh\u00ebrimi bashkohen p\u00ebr t\u00eb treguar bashkimin n\u00eb vend t\u00eb humbjes dhe mallit n\u00eb poezi. Kjo poezi flet p\u00ebr l\u00ebvizjen e emocioneve dhe vendosjen e dashuris\u00eb dhe kujtimeve n\u00eb djepin e p\u00ebrjet\u00ebsis\u00eb n\u00eb vend q\u00eb t’i skllav\u00ebroj\u00eb ato n\u00eb kafazin e mendjes. Nj\u00eb tjet\u00ebr poezi e mrekullueshme e quajtur “gjahtari i val\u00ebve” nga Niloy Rafiq nga p\u00ebrmbledhja e tij e poezive “Guri i Bardh\u00eb” e tregon ujin si nj\u00eb metafor\u00eb interesante n\u00eb t\u00eb gjith\u00eb poezin\u00eb. Poeti e p\u00ebrshkruan ujin si nj\u00eb pik\u00eb n\u00eb portretizimin e lumit “gjahtari i val\u00ebve”, megjithat\u00eb prania e detit dhe oqeanit p\u00ebrshkruan mund\u00ebsin\u00eb e l\u00ebvizjes n\u00eb nj\u00eb hap\u00ebsir\u00eb \u200b\u200bzmadhuese t\u00eb z\u00ebn\u00eb nga uji. Rafiq nuk shkruan p\u00ebr uj\u00ebrat e qeta edhe n\u00ebse i referohet “uj\u00ebrave t\u00eb thella” “meditative” n\u00eb fund t\u00eb poezis\u00eb. P\u00ebr t\u00eb, ekzistenca \u00ebsht\u00eb si l\u00ebvizja e pranishme n\u00eb vet\u00eb ujin. Ai nxjerr n\u00eb pah “uj\u00ebvarat” q\u00eb vazhdojn\u00eb t\u00eb b\u00ebjn\u00eb zhurm\u00eb p\u00ebr t\u00eb manifestuar pranin\u00eb e jet\u00ebs n\u00eb bot\u00ebn natyrore. “Aroma e djers\u00ebs s\u00eb krip\u00ebs” zbulon gjithashtu p\u00ebrpjekjet e b\u00ebra nga fermer\u00ebt p\u00ebr t\u00eb l\u00ebruar. Rafiq pikturon jet\u00ebn e mbushur me l\u00ebvizje si vet\u00eb vala. Gjuetari i val\u00ebve po ndjek val\u00ebt q\u00eb vazhdojn\u00eb t\u00eb dalin dhe t\u00ebrhiqen. Ky proces rr\u00ebfen uljet dhe ngritjen.<\/p>\n","protected":false},"excerpt":{"rendered":"
Shah Jehan Ashrafl Uji mistik n\u00eb poezit\u00eb e Niloy Rafiq – nj\u00eb analiz\u00eb e p\u00ebrmbledhjes s\u00eb tij t\u00eb poezive t\u00eb quajtur “Guri i Bardh\u00eb”. N\u00eb p\u00ebrmbledhjen e poezive t\u00eb Niloy Rafiq “Guri i Bardh\u00eb”, uji q\u00ebndron si nj\u00eb simbol shpirt\u00ebror gjigant dhe enigmatik. Poezit\u00eb e tij thellohen n\u00eb past\u00ebrti, thjesht\u00ebsi dhe spiritualitet. Uji \u00ebsht\u00eb i […]<\/p>\n","protected":false},"author":3,"featured_media":3996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-botime-te-reja"],"_links":{"self":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/3995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/comments?post=3995"}],"version-history":[{"count":2,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/3995\/revisions"}],"predecessor-version":[{"id":3998,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/3995\/revisions\/3998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media\/3996"}],"wp:attachment":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media?parent=3995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/categories?post=3995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/tags?post=3995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}