Viron Kona<\/p>\n
Shkrimtar e studiues<\/p>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sk\u00ebnder KAMBERI – Mjeshtri i Madh i piktur\u00ebs<\/strong><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Vepra q\u00eb na v\u00ebn\u00eb n\u00eb mendime <\/em><\/p>\n Sk\u00ebnder Kamberi, \u201cPiktor i Popullit\u201d, \u201cMjesht\u00ebr i Madh\u201d, nd\u00ebr piktor\u00ebt e\u00a0 spikatur t\u00eb vendit ton\u00eb n\u00eb 30 vitet e fundit t\u00eb shekullit t\u00eb kaluar dhe n\u00eb vazhdim t\u00eb mij\u00ebvje\u00e7arit t\u00eb ri, derisa mbylli\u00a0 syt\u00eb n\u00eb prill t\u00eb k\u00ebtij viti (2026). Ai ishte kurdoher\u00eb mbres\u00ebl\u00ebn\u00ebs me karakterin e tij t\u00eb pap\u00ebrs\u00ebritsh\u00ebm, por mbi t\u00eb gjitha me vlerat e larta artistike, kolorin dhe origjinalitetin e pikturave t\u00eb tij.<\/p>\n N\u00eb pikturat e Kamberit, pothuajse t\u00eb gjith\u00eb element\u00ebt t\u00ebrheqin v\u00ebmendjen, t\u00eb v\u00ebn\u00eb n\u00eb mendime sa her\u00eb q\u00eb ndodhesh p\u00ebrpara tyre: edhe kompozicioni, edhe vizatimi, edhe kolori… dhe, shpejt, shikuesi arrin\u00a0 n\u00eb konkluzionin se ka p\u00ebrpara nj\u00eb piktor t\u00eb kompletuar t\u00eb koh\u00ebve moderne. Veprat e\u00a0 tij jan\u00eb tashm\u00eb t\u00eb njohura dhe gur\u00eb themeli n\u00eb historin\u00eb e piktur\u00ebs shqiptare: \u201cBuka e duarve tona\u201d, \u201cKthimi i n\u00ebndet\u00ebseve\u201d, \u201cBetimi i Vrana Konti\u201d, \u201cVajza e val\u00ebve\u201d, \u201cKosovarja\u201d, \u201cN\u00eb Belveder\u00eb n\u00eb Vjen\u00eb sikur pash\u00eb Sk\u00ebnderben\u00eb\u201c,\u201cOtranto, 1997\u201d, portreti i luft\u00ebtarit Sali Vranishti…etj. etj. Lista e veprave t\u00eb tij \u00ebsht\u00eb e pafund, num\u00ebrohen mbi 1400 piktura…<\/p>\n Sk\u00ebnderi nuk p\u00ebrs\u00ebriste asnj\u00ebher\u00eb vetveten, por krijonte vazhdimisht, ai kishte z\u00ebrin e tij, mendimin\u00a0 tij, penelin dhe kolorin e tij. T\u00eb njihje Sk\u00ebnder Kamberin, duhej t\u00eb njihje shpirtin e tij krijues, impulset shp\u00ebrthyese, energjit\u00eb e pandalshme q\u00eb vrullonin n\u00ebp\u00ebrmjet \u201carm\u00ebs\u201d s\u00eb tij, penelit t\u00eb magjish\u00ebm sk\u00ebnderian.<\/p>\n Kam pasur k\u00ebnaq\u00ebsin\u00eb dhe privilegjin ta njihja Sk\u00ebnder Kamberin q\u00eb n\u00eb rinin\u00eb time. I mblidheshim p\u00ebrqark n\u00eb studio, bashk\u00ebbisedonim dhe shfaqnim mendimet tona p\u00ebr veprat\u00a0 e tij, teksa Sk\u00ebnderi, duke punuar, na d\u00ebgjonte me nj\u00eb buzagaz t\u00eb leht\u00eb, shikim t\u00eb \u00e7ilt\u00ebr\u00a0 dhe me ndjenj\u00eb respekti, i bindur se\u00a0 ne\u00a0 q\u00eb i vinin n\u00eb studio dhe shprehnim d\u00ebshir\u00ebn t`i q\u00ebndronim pran\u00eb kur ai punonte, ia donim dhe ia vler\u00ebsonim pun\u00ebt e shk\u00eblqyera q\u00eb realizonte me penelin e tij t\u00eb magjish\u00ebm, sikurse e donim Sk\u00ebnderin edhe si shok\u00eb e mik, si njeri t\u00eb formuar dhe me kultur\u00eb. E teksa ne shfaqnim respektin ndaj tij p\u00ebr shfryt\u00ebzimin n\u00eb maksimum t\u00eb koh\u00ebs, ai hiqte nj\u00eb \u00e7ast v\u00ebshtrimin nga piktura:<\/p>\n -E dini se \u00e7`m\u00eb thoshte \u00c7abej n\u00eb nj\u00eb bised\u00eb: \u201dPo t\u00eb flesh 1 or\u00eb apo, qoft\u00eb\u00a0 edhe gjysm\u00eb ore pasdite, dit\u00ebn e ndan\u00eb n\u00eb dy dit\u00eb dhe punon i fresk\u00ebt deri n\u00eb or\u00ebt e vona\u201d.<\/p>\n -Po ja, ti Sk\u00ebnder po m\u00ebson edhe gjermanisht, ku e gjen koh\u00ebn? – e pyesnim.<\/p>\n -T`ju them nj\u00eb sekret! Ja m\u00eb d\u00ebgjoni: sa her\u00eb q\u00eb rruhem n\u00eb m\u00ebngjes, p\u00ebrpara pasqyr\u00ebs ngjis\u00eb disa fjal\u00eb e fjali n\u00eb gjermanisht dhe gjat\u00eb gjith\u00eb koh\u00ebs q\u00eb rruhem, i p\u00ebrs\u00ebris ato me z\u00eb pa pushim. Dhe,\u00a0 kini parasysh se, un\u00eb, rruhem \u00e7do dit\u00eb…\u201d<\/p>\n H\u00ebm! V\u00ebrtet\u00eb i \u00e7uditsh\u00ebm ky Sk\u00ebnderi! Ku s`i vete mendja! – thoshim ne me nj\u00ebri-tjetrin.<\/p>\n Uniteti i Sk\u00ebnder Kamberit dhe Piktorit tjet\u00ebr t\u00eb Popullit\u00a0 Nestor Jonuzi, ndihmuan shum\u00eb n\u00eb krijimin rreth viteve 70 dhe 80 t\u00eb shekullit t\u00eb kaluar, n\u00eb krijimin e \u201cShkoll\u00ebs vlonjate t\u00eb piktur\u00ebs\u201d.<\/em> Ky unitet, shkatht\u00ebsoi at\u00ebher\u00eb deg\u00ebn e shkrimtar\u00ebve dhe artist\u00ebve krijues vlonjat\u00eb, t\u00eb cil\u00ebt duke respektuar krijimet e nj\u00ebri \u2013 tjetrit, jo vet\u00ebm n\u00eb piktur\u00eb, por edhe n\u00eb muzik\u00eb, let\u00ebrsi, skulptur\u00eb, qeramik\u00eb etj., mblidheshin vazhdimisht, bashk\u00ebbisedonin, shfaqnin mendime, debatonin dhe largoheshin me p\u00ebrshtypje dhe emocione t\u00eb reja nga studiot e\u00a0 pun\u00ebs t\u00eb koleg\u00ebve t\u00eb tyre.<\/p>\n Karakteri tep\u00ebr i ve\u00e7ant\u00eb i\u00a0 Sk\u00ebnderit, n\u00eb njohje t\u00eb par\u00eb,\u00a0 t\u00eb b\u00ebnte t\u00eb vije buz\u00ebn n\u00eb gaz p\u00ebr pasionin me t\u00eb cilin ai fliste, vullnetin q\u00eb tregonte, d\u00ebshir\u00ebn e mir\u00eb dhe bot\u00ebn e tij t\u00eb pasur, humanizmin dhe kultur\u00ebn e ve\u00e7ant\u00eb. I v\u00ebmendsh\u00ebm n\u00eb bised\u00eb, nj\u00eb njeri q\u00eb t\u00eb shihte n\u00eb sy kur flisje me t\u00eb, Sk\u00ebnderi ishte i drejtp\u00ebrdrejt\u00eb, e shprehte gjithnj\u00eb hapur at\u00eb q\u00eb mendonte, pa u druajtur se \u00e7do t\u00eb mendonin t\u00eb tjer\u00ebt p\u00ebr fjal\u00ebt dhe mendimet e\u00a0 tij. Edhe at\u00ebher\u00eb, para viteve 90-t\u00eb, edhe n\u00eb vitet e demokracis\u00eb, kur punonte me rit\u00ebm dhe shpaloste vrulle t\u00eb reja t\u00eb pasionit t\u00eb tij krijues, ishte po ai Sk\u00ebnder, energjik dhe vital, aspak xheloz, por gjithnj\u00eb k\u00ebrkues n\u00eb rrug\u00ebn e\u00a0 tij.<\/p>\n Duke hedhur k\u00ebto sh\u00ebnime, sjell\u00eb n\u00eb kujtes\u00eb edhe disa nga pyetjet dhe p\u00ebrgjigjet\u00a0 q\u00eb i mora atij n\u00eb nj\u00eb intervist\u00eb, para shum\u00eb vitesh, m\u00eb sakt\u00eb m\u00eb 16. 06. 2000, t\u00eb cil\u00ebn at\u00ebher\u00eb e\u00a0 botova te gazeta \u201cPasqyra\u2019.<\/p>\n -Ndjeni konkurrenc\u00eb n\u00eb piktur\u00ebn tuaj? – ishte kjo nj\u00ebra nga pyetjet q\u00eb\u00a0 i b\u00ebra at\u00ebher\u00eb<\/em>.<\/p>\n Sk\u00ebnderi m`u p\u00ebrgjigj:<\/p>\n \u201c-Nuk konkurroj kurr\u00eb. Bilbili k\u00ebndon p\u00ebr qejf t\u00eb vet\u00eb. E jo p\u00ebr t\u00eb konkurruar me ndonj\u00eb zog tjet\u00ebr. Lulet kan\u00eb secila ngjyrat e veta e nuk konkurrojn\u00eb me ferrat. Ngjyrat e peshqve dhe t\u00eb fluturave, u p\u00ebrkasin atyre e jo p\u00ebr t\u00eb konkurruar me kafsh\u00eb e insekte t\u00eb tjera. Konkurrenca \u00ebsht\u00eb rudiment i njeriut, q\u00eb e ndalon t\u00eb b\u00ebhet njeri i s\u00eb ardhmes. Un\u00eb jam pak xheloz p\u00ebr muzik\u00ebn, e cila \u00ebsht\u00eb m\u00eb superiore se figurativi, por n\u00eb asnj\u00eb m\u00ebnyr\u00eb t\u00eb konkurroj. Fusha\u00a0 e muzik\u00ebs ka shum\u00eb konkordanca me piktur\u00ebn. Madje jan\u00eb b\u00ebr\u00eb eksperimentime shkencore q\u00eb puqen me figurativin, po prap\u00eb se prap\u00eb mua m\u00eb \u00e7udit sesi veshi t\u00eb superoj syrin! Ai t\u00eb jet\u00eb m\u00eb i r\u00ebnd\u00ebsish\u00ebm se t\u00eb parit? Po mallkimi b\u00ebhet: \u201cMos pa\u00e7 sy!\u201d, \u201cU b\u00ebfsh qorr!\u201d e, nuk thot\u00eb:\u00a0 \u201cMbetsh shurdh!\u201d Muzika \u00ebsht\u00eb di\u00e7ka hyjnore, piktura: shpirt\u00ebrore, njer\u00ebzore.<\/p>\n -Sa ka ndikuar Vlora, njer\u00ebzit dhe natyra e saj n\u00eb krijimtarin\u00eb tuaj?<\/em><\/p>\n -Vlora \u00ebsht\u00eb qyteti i f\u00ebmij\u00ebris\u00eb sime, i rinis\u00eb, i burr\u00ebris\u00eb, \u00ebsht\u00eb qyteti i paraardh\u00ebsve t\u00eb mi, qyteti ku u linda dhe krijova familjen time, e, mbi t\u00eb gjitha \u00ebsht\u00eb krijimtaria ime pjellore n\u00eb fush\u00ebn e piktur\u00ebs. Vlora m\u00eb ka frym\u00ebzuar p\u00ebr qindra peizazhe. Po, p\u00ebrse e lash\u00eb Vlor\u00ebn? Kur b\u00ebhej luft\u00eb n\u00eb Firence, Mikelanxhelon e\u00a0 gjeje n\u00eb Rom\u00eb. Arti k\u00ebrkon nj\u00eb qet\u00ebsi shpirt\u00ebrore specifike, gj\u00eb q\u00eb pjes\u00ebrisht koh\u00ebt e\u00a0 fundit m\u00eb mungoi. Vlonjat\u00ebt e\u00a0 din\u00eb mir\u00eb se jam i lidhur tep\u00ebr me artin e, p\u00ebr hir t\u00eb tij, mund t\u00eb m\u00eb justifikojn\u00eb q\u00eb u largova prej Vlor\u00ebs dhe erdha k\u00ebtu n\u00eb Tiran\u00eb.<\/p>\n -Keni ndonj\u00eb piktur\u00eb t\u00eb koh\u00ebs s\u00eb monizmit p\u00ebr t\u00eb cil\u00ebn sot do t\u00eb kishit dashur t\u00eb mos e kishit b\u00ebr\u00eb? Sa i lir\u00eb ose i penguar jeni ndjer\u00eb n\u00eb at\u00eb koh\u00eb?<\/em><\/p>\n -Asnj\u00eb. T\u00eb gjitha i kam b\u00ebr\u00eb me ndjenj\u00eb e racionalitet: Kultura t\u00eb b\u00ebn t\u00eb lir\u00eb e jo skllav. Mua s`m\u00eb kan\u00eb penguar kurr\u00eb konceptet e shumta patriarkale me t\u00eb cilat ndeshesha p\u00ebrdit\u00eb n\u00eb shkoll\u00eb, n\u00eb studio e ambiente t\u00eb ndryshme. Rrotat e mia p\u00ebr progres nuk jan\u00eb ndalur nga askush edhe pse kan\u00eb v\u00ebn\u00eb cipenj n\u00ebn rrota. Pra \u00e7do gj\u00eb e kam b\u00ebr\u00eb me vet\u00ebdije e dashuri. Nuk kthej kok\u00ebn prapa, s`jam nga ata q\u00eb b\u00ebhen pishman p\u00ebr at\u00eb q\u00eb kam nxjerr\u00eb nga studioja ime. E kam ndjer\u00eb veten t\u00eb lir\u00eb, sepse\u00a0 e vler\u00ebsoja artin tim. Ndofta m\u00eb quani mendjemadh, – por edhe modestia e tepruar \u00ebsht\u00eb mendjemadh\u00ebsi. Si artist kam reflektuar me art koh\u00ebn e bashk\u00ebkoh\u00ebsve t\u00eb mi, detyr\u00eb imperative p\u00ebr \u00e7do krijues. M\u00eb vjen keq q\u00eb u zgjata, por edhe pyetja provokon p\u00ebr nj\u00eb epok\u00eb q\u00eb ka shum\u00eb e shum\u00eb p\u00ebr t\u00eb folur e shkruar…Koha q\u00eb kalon Shqip\u00ebria n\u00eb tranzicion prek edhe artin. Artist\u00ebt e vendit, m\u00eb t\u00eb shumt\u00ebt jan\u00eb larguar, sidomos t\u00eb rinjt\u00eb, por k\u00ebta q\u00eb jan\u00eb punojn\u00eb e krijojn\u00eb k\u00ebtu me shum\u00eb sforco e strese, n\u00ebn diktatur\u00ebn financiare. E ardhmja e artit \u00ebsht\u00eb n\u00eb dor\u00eb, jo vet\u00ebm t\u00eb artist\u00ebve, por edhe t\u00eb zhvillimit total t\u00eb vendit\u201d.<\/p>\n Zemra e \u201cMjeshtrit t\u00eb Madh\u201d dhe \u201cPiktorit t\u00eb Popullit\u201d\u00a0 Sk\u00ebnder Kamberi ka ndalur, por arti yn\u00eb, Vlora dhe populli yn\u00eb fisnik, do t`i ruaj\u00eb n\u00eb kujtes\u00eb veprat e piktorit t\u00eb madh, pikturat e mrekullueshme sk\u00ebnderiane. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Viron Kona Shkrimtar e studiues \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sk\u00ebnder KAMBERI – Mjeshtri i Madh i piktur\u00ebs \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Vepra q\u00eb na v\u00ebn\u00eb n\u00eb mendime Sk\u00ebnder Kamberi, \u201cPiktor i Popullit\u201d, \u201cMjesht\u00ebr i Madh\u201d, nd\u00ebr piktor\u00ebt e\u00a0 spikatur t\u00eb vendit ton\u00eb n\u00eb 30 vitet e fundit t\u00eb shekullit t\u00eb kaluar dhe […]<\/p>\n","protected":false},"author":3,"featured_media":2886,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-4171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinione"],"_links":{"self":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/4171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/comments?post=4171"}],"version-history":[{"count":1,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/4171\/revisions"}],"predecessor-version":[{"id":4172,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/4171\/revisions\/4172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media\/2886"}],"wp:attachment":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media?parent=4171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/categories?post=4171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/tags?post=4171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}