Nga Teuta Dhima:<\/p>\n\n\n\n
Duket sikur Mimoza Kuchly, i ka paracaktuar gjini rr\u00ebfimit t\u00eb saj duke e titulluar v\u00ebllimin me tregime Rr\u00ebfej un\u00eb gruaja<\/em>. Linja t\u00eb buta, rr\u00ebfim q\u00eb t\u00eb l\u00eb mbresa p\u00ebr nj\u00eb figuracion t\u00eb pasur dhe p\u00ebrshkrim t\u00eb im\u00ebt n\u00eb funksion total t\u00eb p\u00ebrndezjes s\u00eb fantazis\u00eb. Rr\u00ebfimi \u00ebsht\u00eb rrug\u00ebdrejt\u00eb, pa kthime t\u00eb thella retrospektive dhe kalime n\u00eb koh\u00eb.<\/p>\n\n\n\n Autorja luan her\u00eb pas her\u00eb rrengje t\u00eb vogla p\u00ebr ta b\u00ebr\u00eb lexuesin pre t\u00eb kureshtis\u00eb dhe, k\u00ebt\u00eb e arrin k\u00ebndsh\u00ebm, pa t\u00eb lodhur me situata t\u00eb pakuptimta dhe mugesa lidhjesh logjike.<\/p>\n\n\n\n Mimoza luan me fjal\u00ebt zgjuarsisht dhe i p\u00ebrdor ato n\u00eb momentin e caktuar, p\u00ebr t\u00eb p\u00ebrftuar situat\u00ebn.<\/p>\n\n\n\n Tematika e tregimeve t\u00eb Mimoz\u00ebs \u00ebsht\u00eb tejet aktuale. Nj\u00eb realitet aq i preksh\u00ebm sa q\u00eb nd\u00ebrsa lexoja mendoja: – kjo m\u00eb ka ndodhur edhe mua, po edhe shoqes time apo motr\u00ebs<\/em>. Ngjarjet p\u00ebr t\u00eb cilat Mimoza rr\u00ebfen, me t\u00eb v\u00ebrtet\u00eb mund t\u2019i ken\u00eb ndodhur gjithkujt, por AJO, ka marr\u00eb guximin t\u2019i rr\u00ebfej\u00eb dhe i rr\u00ebfen ato nga nj\u00eb pozicion solid: Rr\u00ebfej un\u00eb gruaja<\/em>. Mimoza rr\u00ebfen n\u00eb vet\u00ebn e par\u00eb, merr p\u00ebrgjegj\u00ebsin\u00eb t\u00eb p\u00ebrfaq\u00ebsoj\u00eb. T\u00eb p\u00ebrfaq\u00ebsoj\u00eb gruan q\u00eb vuan p\u00ebr humbjen e nj\u00eb njeriu t\u00eb shtrenjt\u00eb, gruan k\u00ebt\u00eb krijes\u00eb delikate, balerin\u00eb. Gruan q\u00eb dashuron t\u00eb tjer\u00ebt, por mbi t\u00eb gjitha ka shum\u00eb dashuri p\u00ebr veten. Dashuri kjo q\u00eb e b\u00ebn at\u00eb t\u00eb vendosur p\u00ebr zgjedhjet e saj edhe pse n\u00eb ndonj\u00eb \u00e7ast ndihet e dyzuar dhe, si\u00e7 thot\u00eb autorja: – ku ka dashuri nuk ka m\u00ebkat.<\/em><\/p>\n\n\n\n Gruaja q\u00eb \u201cndeshet\u201d n\u00eb betej\u00eb me cigaren e fundit dhe fiton ajo, n\u00eb em\u00ebr t\u00eb jet\u00ebs q\u00eb krijohet brenda saj.<\/p>\n\n\n\n Gruaja q\u00eb i rr\u00ebfehet pasqyr\u00ebs dhe \u201cp\u00ebrplaset\u201d mureve t\u00eb ngushta t\u00eb k\u00ebtij komunikimi delikat dhe del fitimtare duke mos e lejuar pasqyr\u00ebn t\u2019i gjykoj\u00eb shpirtin, por vet\u00ebm fizikun e saj q\u00eb nuk arrin t\u00eb riprodhoj\u00eb .<\/p>\n\n\n\n Gruaja p\u00ebr t\u00eb cil\u00ebn Mimoza Kuchly rr\u00ebfen, b\u00ebhet n\u00ebn\u00eb nga f\u00ebmija q\u00eb nxjerr nga shpirti dhe jo nga trupi i saj..<\/em> Gruaja q\u00eb merr testamente mir\u00ebnjohjeje, p\u00ebr dashurin\u00eb q\u00eb p\u00ebrcjell si bij\u00eb shpirt\u00ebrore.<\/p>\n\n\n\n Gruaja, e dashuruara, e tradh\u00ebtuara, gruaja shoqe dhe mike. Ajo q\u00eb kalon n\u00eb etapat e jet\u00ebs pa iu dridhur syri. Kalon n\u00ebp\u00ebr :<\/p>\n\n\n\n m\u00eb t\u00eb \u00ebmbl\u00ebn, dashurin\u00eb<\/em><\/p>\n\n\n\n m\u00eb t\u00eb v\u00ebshtir\u00ebn ndarjen<\/em><\/p>\n\n\n\n m\u00eb t\u00eb dhimbshmen lamtumir\u00ebn<\/em><\/p>\n\n\n\n dhe m\u00eb t\u00eb bukur\u00ebn rigjetjen.<\/em><\/p>\n\n\n\n Por, n\u00eb rr\u00ebfimin e Mimoz\u00ebs nuk ka vet\u00ebm gra protagoniste, ka edhe burra. Figura e tyre del n\u00eb m\u00ebnyr\u00eb t\u00eb drejt\u00ebp\u00ebrdrejt\u00eb ose indirekt, n\u00ebp\u00ebrmjet situatave t\u00eb nd\u00ebrthurura me aq delikates\u00eb nga autorja. T\u00eb gjitha tregimet e Mimoz\u00ebs sjellin nj\u00eb histori t\u00eb ve\u00e7ant\u00eb, por un\u00eb do t\u00eb doja t\u00eb ndalesha pak tek nj\u00eb tregim n\u00eb ve\u00e7anti.<\/p>\n\n\n\n Ai titullohet Vegimi <\/em>dhe nis k\u00ebshtu:<\/em> – Kapak\u00ebt m\u00eb r\u00ebndonin sikur t\u00eb ishin bart\u00ebs t\u00eb dy copa tullash.<\/em> N\u00ebse n\u00eb tregimet e tjera rr\u00ebfehet nga pozicioni i nj\u00eb gruaje, n\u00eb k\u00ebt\u00eb tregim rr\u00ebfen n\u00eb pozicionin e nj\u00eb burri. Ajo jo vet\u00ebm q\u00eb realizon personazhin, por arrin t\u00eb p\u00ebrshkruaj\u00eb edhe gjendjen e tij t\u00eb dyzuar gjat\u00eb p\u00ebrjetimit t\u00eb vegimit. Paralelisht autorja krijon dy persoazhe dhe i vesh me tis magjie: ajo e djalit q\u00eb t\u00ebrhiqet nga nga bukuria e shtojzovalles dhe figura e vajz\u00ebs s\u00eb brengosur e cila vajton humbjen e mikut t\u00eb saj, t\u00eb cilin e ka vrar\u00eb rrufeja n\u00eb pyll bashk\u00eb me t\u00eb dashur\u00ebn. Mimoza rr\u00ebfen p\u00ebrmes vegimit ndaj, i lejohen t\u00eb gjith\u00eb hamend\u00ebsit\u00eb n\u00eb zgjidhjen e konfliktit. Ishte dit\u00eblindja jon\u00eb at\u00eb dit\u00eb dhe ai nuk duhet t\u00eb dilte, <\/em>– <\/em>thot\u00eb vajza e pyllit. Mjafton kaq p\u00ebr t\u2019u krijuar ideja q\u00eb vajza e bukur si nj\u00eb shtojzovalle pylli \u00ebsht\u00eb vajza e tradh\u00ebtuar. P\u00ebrmes nj\u00eb shkall\u00ebzimi situatash dhe futjen e dialogut mes dy infermier\u00ebve n\u00eb spital, autorja jep zgjidhjen: dit\u00ebn kur djali u dogj me t\u00eb dashur\u00ebn n\u00eb pyll, ishte 25 vjetori i tij dhe vajza q\u00eb vajtonte humbjen ishte motra e tij binjake. Nga p\u00ebrshkrimi p\u00ebrmes vegimit, kalon n\u00eb realitet. Vajza shtojzovalle \u00ebsht\u00eb e v\u00ebrtet\u00eb me gjith\u00eb dhimbjen e saj dhe \u00ebsht\u00eb nj\u00eb mjeke, nd\u00ebrsa personazhi yn\u00eb i gjall\u00eb dhe i shp\u00ebtuar prej saj.<\/p>\n\n\n\n N\u00eb pamje t\u00eb par\u00eb t\u00eb krijohet p\u00ebrshtypja se personazhet e tregimeve t\u00eb Mimoz\u00ebs nuk p\u00ebsojn\u00eb transformime rr\u00ebnjesore gjat\u00eb rrjedhave t\u00eb rr\u00ebfimit. Kjo \u00ebsht\u00eb nj\u00eb zgjedhje personale e saj p\u00ebr t\u00eb mos qen\u00eb thjesht nj\u00eb pasqyruese transformimesh. Mimoza l\u00eb vend p\u00ebr n\u00ebnkuptime, transformimi i personazhit nis, ceket n\u00eb rr\u00ebfim dhe zhvillohet n\u00eb mendjen e lexuesit. Kjo b\u00ebn q\u00eb rr\u00ebfimi i Mimoz\u00ebs t\u00eb l\u00ebr\u00eb shije. Nj\u00eb shije t\u00eb fort\u00eb q\u00eb nuk e harron kollaj.<\/p>\n\n\n\n Autoren do ta quaja mjeshtre t\u00eb detajeve. Ajo p\u00ebrdor p\u00ebremrat vetor\u00eb n\u00eb disa tituj tregimesh edhe n\u00eb titullin e v\u00ebllimit: Rr\u00ebfej Un\u00eb gruaja; Un\u00eb, ai dhe baleti<\/em>. N\u00ebp\u00ebrrmjet k\u00ebtij p\u00ebrdorimi ajo fiton nj\u00eb pozicin tjet\u00ebr n\u00eb rr\u00ebfim dhe e gjall\u00ebron at\u00eb. Luan me ngjyrat, t\u00eb kaltr\u00ebn e detit, t\u00eb kuqen p\u00ebrndez\u00ebse dhe sensuale n\u00eb funksion t\u00eb p\u00ebrshkrimt t\u00eb gjendjes shpirt\u00ebrore t\u00eb personazheve t\u00eb saj.<\/p>\n\n\n\n N\u00eb hyrje t\u00eb \u00e7do tregimi autorja ka p\u00ebrzgjedhur nj\u00eb citat nga m\u00ebndjendriturit e koh\u00ebrave. Jan\u00eb k\u00ebto citime si korniza kuptimplot\u00eb t\u00eb rrifimit t\u00eb saj si nj\u00eb lloj parashtrimi dhe parap\u00ebrgatitjeje e situat\u00ebs dhe asaj q\u00eb do t\u00eb ndodh\u00eb m\u00eb pas. \u00cbsht\u00eb strategjike zgjedhja e saj, pasi t\u00eb grish ta lexosh, t\u00eb b\u00ebn kurioz p\u00ebr t\u00eb arritur deri n\u00eb fund, ku t\u00eb presin zgjidhje t\u00eb gjetuara dhe mbres\u00ebl\u00ebn\u00ebse.<\/p>\n\n\n\n Askush nuk do t\u00eb rr\u00ebfente m\u00eb mir\u00eb , m\u00eb bukur, m\u00eb hapur se nj\u00eb grua p\u00ebr nj\u00eb grua. Kjo e ka b\u00ebr\u00eb Mimoz\u00ebn t\u00eb dal\u00eb fitimtare n\u00eb rr\u00ebfimet e saj. T\u00eb shpreh\u00eb at\u00eb q\u00eb secila prej nesh mund ta ket\u00eb p\u00ebrjetuar e mund t\u2019i ket\u00eb ndodhur n\u00eb t\u00eb p\u00ebrdit\u00ebshmen e saj, por q\u00eb nuk ka marr\u00eb lapsin p\u00ebr ta hedhur n\u00eb let\u00ebr dhe p\u00ebr ta ndar\u00eb me mij\u00ebra t\u00eb tjer\u00eb p\u00ebr t\u00eb na sjell\u00eb nj\u00eb histori sprovash.<\/p>\n","protected":false},"excerpt":{"rendered":" Nga Teuta Dhima: Duket sikur Mimoza Kuchly, i ka paracaktuar gjini rr\u00ebfimit t\u00eb saj duke e titulluar v\u00ebllimin me tregime Rr\u00ebfej un\u00eb gruaja. Linja t\u00eb buta, rr\u00ebfim q\u00eb t\u00eb l\u00eb mbresa p\u00ebr nj\u00eb figuracion t\u00eb pasur dhe p\u00ebrshkrim t\u00eb im\u00ebt n\u00eb funksion total t\u00eb p\u00ebrndezjes s\u00eb fantazis\u00eb. Rr\u00ebfimi \u00ebsht\u00eb rrug\u00ebdrejt\u00eb, pa kthime t\u00eb thella retrospektive dhe […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-48","post","type-post","status-publish","format-standard","hentry","category-botime-te-reja"],"_links":{"self":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":0,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/posts\/48\/revisions"}],"wp:attachment":[{"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/media?parent=48"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/categories?post=48"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/migjeni.se\/index.php\/wp-json\/wp\/v2\/tags?post=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}